Category Archives: Honno Press

THE HOUSE WITH OLD FURNITURE by Helen Lewis #fiction #giveaway

house

The House with Old Furniture

by

Helen Lewis

house

Genre: Contemporary Fiction

Release Date: 20 July 2017

Publisher: Honno Press

The ghosts of a century’s worth of secrets and betrayals are coming home to Pengarrow…

Evie has lost her eldest son, Jesse, to gang violence. Leaving the house he grew up in is pulling apart the few strings left holding her heart together. Only the desire to be there for her younger boy, Finn, impels Evie to West Wales and the ancient house her husband is sure will heal their wounds.

Days later, Andrew is gone – rushing back to his ‘important’ job in government, abandoning his grieving wife and son. Finn finds solace in the horse his father buys by way of apology. As does his evasive and fearful new friend, Nye, the one who reminds him and Evie of Jesse… Evie loses herself in a dusty 19th century journal and glasses of homemade wine left by the mysterious housekeeper.

As Evie’s grasp on reality slides, Andrew’s parents ride to the rescue. It is clear that this is a house they know. They seem to think they own it, and begin making changes nobody wants, least of all Alys and her son, Nye, the terrified youth who looks so like Jesse.

BUY LINKS

http://www.honno.co.uk/dangos.php?ISBN=9781909983663

https://www.amazon.co.uk/House-Old-Furniture-Helen-Lewis/dp/1909983667/

https://www.amazon.com/House-Old-Furniture-Helen-Lewis/dp/1909983667

Shhh, I’ve got a writing secret…

Nobody could be more amazed than me, to be sitting here with my still slightly warm, novel resting on my knees, well apart from, perhaps, Mrs Holliwell. A wonderful (patient) woman, who’s unenviable task it was, every Tuesday and Thursday morning to drag the Remedial Reading Group through the basics of the English language. Whilst the rest of Orchard Junior school fidgeted through Mr Beckwith’s assembly, my mate Paula Spitter and I tried to remember what the magic E did and where the I went, before or after if a C was involved.

So, here’s a big secret, that only took me another 32 years to find out (please don’t let my children read this) – you don’t have to be able to spell to be able to write (I still get a thrill when I fox the spell checker, when Mr Word informs me there are “No matches” for my enthusiastic attempt at r-i-th-m-i-cal). Or even know which way up a semi colon goes. If in doubt, stick in a dash and make up a word (it worked for Roald Dahl). It helps a lot to shove in the odd paragraph break, if nothing else it uses up a few more lines, and a good sprinkling of dialogue, real, not 1950’s BBC, works wonders but don’t ask me where you stick the capital letters, all I know is the 66 speech mark goes at the beginning and the 99 one at the end. That about covers my dialogue punctuation knowledge. What every writer really needs is a dear and patient friend, with an everlasting red mark-up pen and a deep pot of comma’s. Bingo, Bob’s your uncle, your, story, now, makes, sense.

Writing isn’t (as the BFG would say) a set of ‘biffsquiggling’ rules, I’ve found absolutely no use for cursive handwriting, a nice sharp pencil, or 12pt Times, I’m more of an Optima person, drawn to 1.5 line-spacing. The lines of my story look all lonely and separated when forced doubly apart. Indents look messy and drop caps are for show-offs. And let’s not start on header and footers, just don’t go there, but always, always, never leave home without page numbers, if you’re clumsy like me, a bit of a tripper-upper, a spiller of pages, then they are your safety net, a rock to cling to in the snow storm of your manuscript.

Time-lines and spider diagrams might float your plot. You might like to write the last line then look down at the vertiginous drop that is the rest of your tale. Whether you prefer to rough it, handwrite it, dive straight in and first draft it, the only thing we all have to worry about is how we say it. How that story that’s been rolling around your head keeping you awake at night, making you talk to yourself around the supermarket sounds on paper. We want to hear how you, with all your individuality, see the world in your own quirky way. Writing isn’t a top ten of tips it’s about ideas and imagination and originality.

Am I sounding soap-boxy, here let me get down? Ignore me, what would I know anyway, I’m a “natterbox’ as the BFG would say, a someone who talks a lot usually about nothing in particular.

ABOUT HELEN LEWIS

house

Helen was born in 1967 in the New Forest. She spent her childhood dreaming of becoming a ballerina and doodling in the margin. She graduated from Southampton Faculty of Art and Design (so long ago now, that the place doesn’t even exist!) and worked as a professional Doodler of Margins (Graphic Designer) for twenty years. In 2006 She moved to Pembrokeshire with her family and lives in the middle of nowhere where she reads, writes, and runs.

Facebook: https://www.facebook.com/helenlewisauthor

Twitter: @hedlew

Blog: http://www.helen-lewis.co.uk/blog

Website: www.helen-lewis.co.uk

GIVEAWAY

3 ebooks (open internationally)

3 paperbacks (UK only)

 

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NOT THOMAS by Sara Gethin #fiction #giveaway

Thomas

Not Thomas

by

Sara Gethin

 

Thomas

Genre: Fiction

Release Date: 15th June 2017

Publisher: Honno Press

Tomos lives with his mother. He longs to return to another place, the place he thinks of as home, and the people who lived there, but he’s not allowed to see them again. He is five years old and at school, which he loves. Miss teaches him about all sorts of things, and she listens to him. Sometimes he’s hungry and Miss gives him her extra sandwiches. She gives him a warm coat from Lost Property, too. There are things Tomos cannot talk about – except to Cwtchy – and then, just before Easter, the things come to a head. There are bad men outside who want to come in, and Mammy has said not to answer the door. From behind the big chair, Tomos waits, trying to make himself small and quiet. He doesn’t think it’s Santa Claus this time.

When the men break in, Tomos’s world is turned on its head and nothing will be the same again.

BUY LINKS

http://www.honno.co.uk/dangos.php?ISBN=9781909983625

https://www.amazon.co.uk/Not-Thomas-Sara-Gethin/dp/1909983624/

https://wordery.com/not-thomas-sara-gethin-9781909983625

EXCERPT

The lady’s here. The lady with the big bag. She’s knocking on the front door. She’s knocking and knocking. And knocking and knocking. I’m not opening the door. I’m not letting her in. I’m behind the black chair. I’m very quiet. I’m very very quiet. I’m waiting for her to go away.

I’ve been waiting a long time.

‘Thomas, Thomas.’ She’s saying it through the letter box.

‘Thomas, Thomas.’

I’m not listening to her. I’m not listening at all. She’s been knocking on the door for a long long time. I’m peeping round the black chair. I’m peeping with one of my eyes. She’s

not by the front door now. She’s by the long window. I can see her shoes. They’re very dirty. If Dat saw those shoes he’d say, ‘There’s a job for my polishing brush’.

She’s stopped knocking. She’s stopped saying ‘Thomas’. She’s very quiet. The lady can’t see me. I’m behind the big black chair. And I’ve pulled my feet in tight.

‘Thomas?’ she says. ‘Thomas?’ I’m not answering. ‘I know you’re in there. Just come to the window, sweetheart. So I can see you properly.’

I’m staying still. I’m not going to the window. I’m waiting for her to go back to her car. It’s a green car. With a big dent in it. If I hide for a long time she’ll go. She’ll get back in her car and drive away. She’s knocking. And knocking again.

She’s saying ‘Thomas.’ And knocking and knocking again.

‘Thomas.’

That is not my name.

ABOUT SARA GETHIN

Thomas

Sara Gethin is the pen name of Wendy White. She grew up in Llanelli and studied theology and philosophy at Lampeter, the most bijoux of universities. Her working life has revolved around children – she’s been a childminder, an assistant in a children’s library and a primary school teacher. She also writes children’s books as Wendy White, and her first, ‘Welsh Cakes and Custard’, won the Tir nan-Og Award in 2014. Her own children are grown up now, and while home is still west Wales, she and her husband spend much of their free time across the water in Ireland. ‘Not Thomas’ is her first novel for adults.

Facebook: https://www.facebook.com/SaraGethinWriter/

Twitter: https://twitter.com/sgethinwriter

Blog: www.saragethin.com

Website: www.saragethin.com

GIVEAWAY

3 e-copies (International) & 3 paperbacks (UK only)

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REMEMBER NO MORE by Jan Newton #Crime #DSKiteMystery #Giveaway

Jan Newton

REMEMBER NO MORE

by

Jan Newton

Jan Newton

Genre: Crime

Series: A DS Kite Mystery # 1

Release Date:  16 March 2017

Publisher: Honno Press

A DS Kite novel – a city detective joins the mid-Wales force
bringing new insights and ruffling country feathers

Newly promoted DS Julie Kite is at a crossroads.  Her husband’s desire for a different life takes her away from urban Manchester and its inner city problems to tranquil mid-Wales. It is to be a clean slate for them both. On her first day at Builth Wells police station, Julie is thrust unexpectedly into the centre of an investigation into a suspicious death in a remote farming community.

Back in Manchester, Stephen Collins is set free from HMP Strangeways.  Bible in hand he makes his way to mid-Wales, the scene of the heinous crime for which he was imprisoned, in order to confront those who had a hand in his incarceration.

The twists and turns of the investigation into solicitor Gareth Watkin’s death force

DS Kite to confront her own demons as well as those of her rural community and, ultimately, to uncover the lengths to which we’ll go to protect our families…

BUY LINKS

http://www.honno.co.uk/dangos.php?ISBN=9781909983564

https://www.amazon.co.uk/Remember-No-More-Jan-Newton/dp/190998356X/

https://www.amazon.com/Remember-No-More-Jan-Newton/dp/190998356X/

https://wordery.com/remember-no-more-jan-newton-9781909983564

ABOUT JAN NEWTON

Jan Newton

Jan grew up in Manchester and Derbyshire, spending her formative years on the back of a pony, exploring the hills and moorland around her home.  She lived and worked in London and Buckinghamshire for 19 years until moving to Wales in 2005, where she learnt to speak fluent Welsh. Jan has won several writing competitions, including the Allen Raine Short Story competition, the WI Lady Denman Cup, and the Oriel Davies Gallery competition for nature-writing. She has been published in New Welsh Review.

 

A WORD FROM JAN NEWTON

I wrote my first novel when I was seven, all about the adventures of a little green one-legged spaceman, who crash-landed his tiny ship in my north Manchester suburb.   We had plenty of adventures, Fred and me, filling fourteen Lancashire Education Committee exercise books and earning me two gold stars in the process.  But when I was eight, a rotund Welsh Mountain Pony by the name of Pixie trotted into my life, and writing was immediately relegated in favour of all things equine.

It took more years than I care to admit for me to resume my writing career.  In 2005 we moved to gloriously inspiring mid-Wales.  In 2009 I stumbled across an Open University creative writing module and the rest, as they say, is history.  After completing my OU degree, I fulfilled a lifetime ambition and enrolled on an MA course at Swansea University.  The whole experience was magical.  It was like being taken by the hand and led back to a place where my imagination could run riot.

I began by writing short stories, which I love, but I always feel disappointed when I have to say goodbye to my characters so soon, and so the next challenge was to attempt a novel.   It’s been a fantastic experience, from its shaky start in a brand new exercise book, but now, finally, I have my second novel.  I still have a horse – this one’s been with me for over twenty years – but these days I seem to be able to allow the two obsessions – books and horses – to run side by side.

Twitter:  @janmaesygroes

Blog:  https://jannewton.wordpress.com

Website:  www.jannewton.net

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THE WHITE CAMELLIA ~ by Juliet Greenwood #guestpost #giveaway

Juliet Greenwood

The White Camellia

by

Juliet Greenwood

 

Juliet Greenwood

Genre: Historical Fiction

Release Date: 15th September 2016

Publisher: Honno, the Welsh Women’s Press

1909. Cornwall. Her family ruined, Bea is forced to leave Tressillion House, and self-made business woman Sybil moves in. Owning Tressillion is Sybil’s triumph — but now what? As the house casts its spell over her, as she starts to make friends in the village despite herself, will Sybil be able to build a new life here, or will hatred always rule her heart?

Bea finds herself in London, responsible for her mother and sister’s security. Her only hope
is to marry Jonathon, the new heir. Desperate for options, she stumbles into the White Camellia tearoom, a gathering place for the growing suffrage movement. For Bea it’s life-changing, can she pursue her ambition if it will heap further scandal on the family? Will she risk arrest or worse?

When those very dangers send Bea and her White Camellia friends back to Cornwall, the two women must finally confront each other and Tresillion’s long buried secrets.

EXTRACT

Cornwall, 1909

It had not changed.

Sybil stepped to the very edge of the cliff and gazed down at the rambling old house below her, topped with a maze of chimneys, a crumbling reminder of its Jacobean finery.

There was no finery left in Tressillion House, she thought grimly. Even from this distance, the place held an air of ruin and abandonment. No smoke rose up through the chill morning from warm fires within. No bustle of servants, no carriage waiting to take the ladies on their rounds of visits and charitable works in the neighbouring village of Porth Levant. Not even Hector, the stallion, steaming in the frosted morning, taking the master of the house on an inspection of the mine, just visible on the next headland.

This was what she had set in motion, all those years ago. The perfect revenge.

Sybil shivered. She unwound the scarf from her head and breathed in deeply the salt blowing in from the sea, her eyes following the North Cornish coast as it vanished into the distance in the crash of spray against rocks.

The wind tugged at her, loosening her curls from the silver clasp at the base of her neck, sending tendrils of brown hair in a wild dance around her face. Sybil turned back to the house below. She had dreamed of this for so long. The moment she would have Tressillion House helpless at her feet. When the Tressillions − who had once had more than they could ever need, but had not thought twice about taking the last hope from people with nothing − would be destroyed, the survivors learning what it was like to be totally dependent on others.

Was this how revenge felt? Sybil hugged herself, pulling the folds of her coat around her, bent almost double by the grief coiling deep in her belly.

‘Beautiful, isn’t it?’

Sybil straightened, banishing any emotion from her face. ‘Indeed.’ She turned to meet the square, squat little man emerging from the smart new Ford automobile, one hand struggling to keep his hat on his head.

‘The best view of Tressillion House,’ he remarked. ‘You can see, Miss Ravensdale, just what an exceptional property this is. There’s none finer this side of Truro.’

‘So I see, Mr Roach,’ she replied, almost managing to banish any hint of irony. On their first meeting, the solicitor had made obvious his contempt at a spinster, not in the first flush of youth, daring to invade his offices in broad daylight for all the respectable citizens of St Ives to see. He had changed his tune a little too quickly at the sight of her gleaming new Chevrolet, shipped all the way from New York, and speaking more of true wealth than any flash of diamonds.

Tressillion House had proved a more than usually difficult properly to dispose of, and there were impatient creditors snapping at Mr Roach’s heels. She must have seemed like a miracle, a rich hotelier from America dreaming of owning a property in Cornwall. Who else, the gleam in Roach’s eyes declared, would be fool enough to live in an isolated mansion fallen on hard times, with the rollers of the North Cornwall coast clawing at the rocks on wild nights, and ghosts creaking amongst its rafters?

Sybil replaced the scarf around her head. ‘Shall we go?’

BUY LINKS

http://www.honno.co.uk/dangos.php?ISBN=9781909983502

https://www.amazon.co.uk/White-Camellia-Juliet-Greenwood/dp/1909983500/

https://www.amazon.com/White-Camellia-Juliet-Greenwood/dp/1909983500

https://wordery.com/the-white-camellia-juliet-greenwood-9781909983502

The lure of big old houses

I love big old houses. Or rather, big old houses with gardens. I suppose I never did quite recover from reading ‘The Secret Garden’ at an early age. I love visiting them, and I love writing about them. Like Kate Morton, it’s my trademark. My stories are very different to Kate Morton, and differ from each other, but however hard I try to escape, that big old house, crumbling at the edges, and the overgrown garden, ready to be brought back to life, are there.

I don’t live in a large old house, but I do live in a little quarryman’s cottage, halfway up a Welsh mountain, that was built during the 1840s. The lives of the generations who lived here were mostly ones of poverty and hard work, and some held downright tragedy. But I never feel uneasy here. The garden still has the remains of previous planting, the standpipe and the loo at the bottom of the garden, and the vegetable garden that allowed the earlier inhabitants to subsist. I enjoy living amongst the remains of lives once lived, and a garden that has clearly been loved over many years, and whose structure I’ve kept in my own version of garden love – polytunnel with a grapevine and all.

I suppose that is the fascination with going round old houses, like Glynllifon in North Wales, and Lanhydrock in Cornwall, and restored villages like Blists Hill in Ironbridge and the Black Country Living Museum. It’s fascinating looking at the surroundings where the rich and the poor lived, trying to imagine their lives, and the stories that surround them.

It’s also, not surprisingly, where ‘The White Camellia’ begins, with self-made businesswoman Sybil returning from America in 1909 to take over a large old house on the Cornish coast, still with the remains of the previous inhabitants strewn amongst its rooms and gardens. But this is a woman who will be haunted by the past, and the family, and house, she has helped to destroy. A woman with secrets, too proud to ask for forgiveness, but with a need to find her own peace with herself.

Although I didn’t realise when I was writing the book, ‘The White Camellia’ is drawn from every great old house, and restored village I have ever visited, and the intertwined lives that surround us, everywhere. I shall have to find new old houses and gardens to visit…

ABOUT JULIET GREENWOOD

Juliet Greenwood

Juliet Greenwood is the author of two previous historical novels for Honno Press, both of which reached #4 and #5 in the UK Amazon Kindle store. ‘Eden’s Garden’ was a finalist for ‘The People’s Book Prize’. ‘We That are Left’ was completed with a Literature Wales Writers’ Bursary, and was Welsh Book of the month for Waterstones Wales, The Welsh Books Council and the National Museum of Wales. It was also chosen by the ‘Country Wives’ website as one of their top ten ‘riveting reads’ of 2014, was one of the top ten reads of the year for the ‘Word by Word’ blog, and a Netmums top summer read for 2014.

Juliet’s grandmother worked as a cook in a big country house, leaving Juliet with a passion for history, and in particular for the experiences of women, which are often overlooked or forgotten. Juliet trained as a photographer when working in London, before returning to live in a traditional cottage in Snowdonia. She loves gardening and walking, and trying out old recipes her grandmother might have used, along with exploring the upstairs and downstairs of old country houses.

Facebook: https://www.facebook.com/juliet.greenwood

Twitter: https://twitter.com/julietgreenwood

Goodreads Author Page: https://www.goodreads.com/author/show/844510.Juliet_Greenwood

Google+ https://plus.google.com/u/0/105731636741241490753/posts

Blog: https://suffrageladiestearoom.com/

Website: http://www.julietgreenwood.co.uk/

GIVEAWAY

1st Prize – paperback copies of all 3 of Juliet’s books
2nd Prize – an ecopy of The White Camellia

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THICKER THAN WATER by Bethan Darwin #interview #giveaway

thicker than water

Thicker Than Water

by

Bethan Darwin

 

THICKER THAN WATER COVER

Genre: Fiction

Release Date: 18 August 2016

Publisher: Honno Press

Some secrets take their time to travel home

Gareth Maddox has his own successful Cardiff Bay law firm, a clever and talented wife and four perfectly imperfect children. Then along comes Cassandra Taylor, managing director of a Canadian shirt company wanting to set up a major manufacturing plant in the Welsh valley Gareth hails from. It seems like the kind of work he will excel at and an ideal way to see the valley pull back from joblessness and despair.

Back at the end of the Great War, in the wake of a community splitting strike, Gareth’s Great-Great-Uncle Idris sailed off to Canada in search of his fortune and a new way of life. Behind him Idris left his twin Tommy and Maggie, Tommy’s wife, who shared her childhood and much else besides with both brothers.

Decades later, Maggie’s secret life is revealed – and for Gareth nothing may ever be quite as it was before Perfect Ltd came to Wales.

BUY LINKS

http://www.honno.co.uk/dangos.php?ISBN=9781909983465

https://www.amazon.co.uk/Thicker-Than-Water-Bethan-Darwin/dp/1909983462/

https://www.amazon.com/Thicker-Than-Water-Bethan-Darwin/dp/1909983462/

https://wordery.com/thicker-than-water-bethan-darwin-9781909983465

**********

Welcome to Celtic Connexions, Bethan. Can you tell us a bit about yourself?

I’m a lawyer based in Cardiff, specialising in employment and corporate law, a proud Mum of two and a happy wife which is just as well as my husband is also a lawyer and we work together.  I run a women’s networking group called Superwoman which also raises money for charities at its events, I write a bi-weekly column on law for Wales’ national newspaper The Western Mail and regularly review the papers for a variety of BBC Radio Wales programmes.

I was born in Toronto but from the age of 5 I grew up in Clydach Vale in the Rhondda Valleys, where my mother also grew up.   My parents didn’t speak Welsh themselves (my Dad is a proud Lancastrian) but they sent me and my three siblings to Welsh medium schools and I am fiercely proud of being a fluent Welsh speaker.  My children also attend Welsh medium schools.

My favourite way to relax is for the four of us to walk our two dogs on the beach at Barry Island.  I am a better version of myself when I am by the sea.

How old were you when your family moved from Canada to Wales? Did one or both of your parents have Welsh roots?

My parents were the first in their respective families to go to University, attending the LSE.  My Dad is from Wigan and my Mum from the Rhondda.  They met at LSE and married in 1961.  They and a number of their friends from university made a move to Toronto, Canada after graduation.   My father also had an uncle living in Oshawa and they visited there a lot.  They stayed a number of years and had me and my brother there.  My Mum got homesick and wanted to move back home to be closer to her family.  I was five when we moved back to Wales.

How long have you been writing?

I always said I was going to write a book some day but it wasn’t until around 12 years ago that I realised that if I didn’t sit down and actually start writing I was never going to do it.   So I did!

Have you written and published any other books? If so, what are they?

My first novel, Back Home was published by Honno in 2009 and my second, Two Times Twenty, was published in 2010.  It has taken a while for me to write Thicker than Water as my day job has been very busy in recent years.  This one features the Rhondda, lawyers and Toronto.    There are always lawyers somewhere in my books!

I see from the back cover blurb, you have a Canadian going to Wales to start a business. Is this based on your own family history?

No, it’s just a story.  But if any Canadians would like to start businesses in Wales that would be great.  I know a good lawyer!

Are you a plotter or a panster?

I had to google what that meant!  A panster.   I start off with an initial idea and make it up as I go along.  Like all writers, I keep a notebook and write down things I see or hear in real life, especially funny things people say, and sometimes I write entire scenes around one funny sentence.   Being a panster does mean a lot of re writing when the story goes in a different direction than you had been writing.  Perhaps I should convert to being a plotter.

When you write, do you like to listen to music or do you prefer complete silence?

I don’t listen to music, no, but there is rarely complete silence when I write.   We have a busy house with children coming and going and two dogs and I often write in short bursts of time throughout the day in between legal work.  I am pretty good at blocking out external noise when I am concentrating on something, though, which my family find a little annoying.

**********

ABOUT BETHAN DARWIN

thicker than water

Toronto born but Rhondda raised, Bethan studied law at King’s College London and was a partner in a law firm in the City of London for some years before homesickness got the better of her and she returned to Wales.

Bethan is now a solicitor and partner at a Cardiff law firm. She also runs women’s networking group Superwoman, writes a bi-weekly column for the Western Mail and is a regular contributor on BBC Wales.  She and her husband have two children. It’s a struggle finding time to write fiction but she squeezes it in instead of doing housework or going to the gym.

Twitter: https://twitter.com/BethanDarwin

GIVEAWAY

5 COPIES OF THE BOOK (UK ONLY)

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THE UNRAVELLING by Thorne Moore #guestpost #giveaway

unravelling

The Unravelling

by

Thorne Moore

 

unravelling

Genre: Domestic noir

Release Date: 21 July 2016

Publisher: Honno Press

From the Top Ten Bestselling Author of A Time for Silence

The Unravelling

When they were ten everybody wanted to be Serena’s friend, to find themselves one of the inner circle. But doing so meant proving your worth, and doing that often had consequences it’s not nice to think about – not even thirty-five years later.

Karen Rothwell is randomly reminded of an incident in her childhood which just as suddenly becomes an obsession. It takes her on a journey into a land of secrets and lies; it means finding that gang of girls from Marsh Green Junior School and most importantly of all finding Serena Whinn.

 Praise for Thorne Moore’s novels

‘A true page turner’– www.gwales.com

‘The most chilling part of Thorne Moore’s skill is the way that she represents evil’ – Helen Tozer, sideline jelly

BUY LINKS

HONNO PRESS

AMAZON UK

AMAZON US

 BOOK DEPOSITORY

WORDERY

**********

Things I learned when writing this book

I learned that I have the potential to be a really bad driver. I think I am a moderately good driver (I am too modest to put it higher than that), but my main character, Karen Rothwell, is bad. The sort of driver who’d make you slam on the brakes and take the next turn onto a different route. I found it extraordinarily easy to get inside her head and perceive such obstacles as roundabouts and motorway junctions as problems best approached with the eyes shut. So easy that I worry I might be tempted to do so, just for the hell of it.

I learned that I am old. You know old people say “I can remember everything that happened fifty years ago, but I can’t remember what I had for breakfast today.” That is me, with this book. My main character, Karen Rothwell, is my age, because I thought that would make it easier, getting the details of her childhood right. In 1965, she’s ten, going on 11, in the fourth year of junior school, just as I was. It isn’t a date I dared mess with, because a few years later, everything would have been different. This was before 1967, before Sgt Pepper, before beads and kaftans and women’s lib. The Beatles may have been a big thing, but they were still in nice smart suits.

1965 was really the tail end of the 1950s. Children hadn’t yet been liberated into jeans and T-shirts. Little girls wore cotton frocks and ankle socks in summer, long socks, kilts and cardies in winter. Little boys wore pullovers and short trousers. Everyone had scabby knees. We had little bottles of milk at school playtime and cabbage for dinner. People lived in council houses and travelled on buses. They shopped at local butchers and greengrocers and made phone calls in red phone boxes, remembering to push Button A. You could get a decent bar of chocolate for 3d, and swings were set in concrete that could break your nose, and made of proper solid wood that could knock your teeth out. None of this health and safety nonsense.

We walked to school every morning. I’m not sure even the teachers bothered to drive, although one did have a bubble car. My routes, and there were several, led through an estate that was in transition. Among the streets of council houses, prefabs were coming down to make way for tower blocks because nobody had yet realised that the British don’t do high-rise living. A motorway was being built alongside the school playing field. Underneath it all was the ghost of what had been there just a decade or two before: farmhouses and fields and woods and streams. A few massive trees lingered. There was a huge wild cherry which stood opposite my house, until continuous lopping away to make room for buses made it give up the ghost. Roads were named after farms that no longer existed. Brooks, reduced to drainage ditches, appeared and disappeared among the houses. And there was a lane, one of my routes home, unpaved, muddy and overhung with trees, just wide enough for the horse and cart that would once have used it.

Karen’s flashbacks, in the book, refer to that era and I could conjure up every detail of it, with no trouble at all. It’s all in my DNA. But much of the action is also set at the turn of this century, the Millennium or thereabouts, and that is only 16 years ago, so I should be able to remember it as well, if not better, than the 1960s, but I couldn’t. I had to research it. It’s not the events of the time that evade me. They are easy enough to recall. It’s the technology. We have the internet now. We had it then too, of course. Our houses rang with weird sci-fi dialling tones as we plugged our modems into our phone lines and waited to see if the thing would ever connect. On our new and improved Windows 98, we hastily searched for what we wanted on Yahoo, and God help us if our chosen site had pictures, because they would take forever to load, and we were worried about the phone bill. And we’d better be quick because someone else wanted to use the phone.

Not that we had that much to look at, when we were connected. There was a site called Amazon, which sold books, just books, and a new search engine had appeared, called Google, but Facebook and Twitter were not yet even gleams in the milkman’s eye. Not much point in relying on the internet until broadband was introduced. That was in 2000 but it was several years before it really caught on. Since when, it has become so essential, many of us can’t imagine life without it.

Like mobile phones. Of course people had mobile phones in 2000. Some of them, anyway, and they were no longer the huge bricks flaunted by the yuppies of the 80s. They were smaller bricks, and unless you were young and frivolous, you kept them switched off, for emergencies, for fear of running the batteries down. If you were of a certain age, (over 20) you would quiver hopelessly at the thought of texting.

Books, in 2000, came in two formats. Hardback and paperback.

Sat Navs? If you wanted to get from A to B you consulted your AA Atlas.

It can come as a shock to realise how much our personal worlds have changed in less than 20 years. It was only as I wrote The Unravelling, that I fully appreciated it. Must be getting old.

At least I do still remember what I had for breakfast this morning. Yoghurt. Or was that yesterday?

I learned that sometimes I need someone to say yes very loudly, straight at me, in order to drown out the voice in my head that keeps saying no, no, no, no. I began writing The Unravelling about 30 years ago. And stopped. I began it again about 20 years ago and stopped again. And 15 and 12 and 10 and 8. I think I have one of those early drafts still on an Amstrad word processor disc, no longer readable. An early draft of the first two or three chapters, that is, because each time I started, even though I knew who the characters would be and where they should be going, I just came to a full stop and moved on to something completely different. Then the editor of my last book asked me if I were working on anything else. I mentioned the idea of The Unravelling. She said good! Write it. So I did.

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ABOUT THORNE MOORE

unravelling

Thorne Moore was born in Luton but has lived in in the back of beyond in north Pembrokeshire for 32 years. She has degrees in History and Law, worked in a library and ran a family restaurant as well as a miniature furniture craft business, which is still in Production, but she now concentrates on writing psychological crime mysteries.

Facebook: https://www.facebook.com/thorne.moore.7

Twitter: @ThorneMoore

Goodreads Author Page: https://www.goodreads.com/author/show/6562052.Thorne_Moore

Blog: http://thornemoore.blogspot.co.uk/

Website: thornemoore.co.uk

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