Tag Archives: Chris Longmuir

DEVIL’S PORRIDGE by Chris Longmuir #authorinterview

devil's porridgeWelcome back to Celtic Connexions, Chris. I see you’ve brought your latest novel with you. Can you tell us about Devil’s Porridge?

Devil’s Porridge has been on my radar to write since 2008, but I kept putting it off, mainly because other things got in the way, like winning the Dundee International Book Prize in 2009 which meant I had to concentrate on my contemporary crime novels, namely the Dundee Crime Series. So, Devil’s Porridge had to take a back seat for several years. But it’s always been niggling away at the back of my mind, demanding to be written. We authors are slaves to our books and characters.

The book is a historical murder mystery set in Britain, during the First World War. I have mixed real events as well as fictional ones into the story. For example, I start off in East London with the massive munitions factory explosion which almost obliterated Silvertown. How could I resist an event like that, it made a great start to the story. The secret service plotline features Captain Vernon Kell and William Melville who actually did exist and were part of MI5, and the visit to Gretna by King George and Queen Mary did take place on 18 May 1917, although my assassination attempt is purely fictional.

I suppose you could describe Devil’s Porridge as a murder mystery with bits of sabotage, spying and an assassination attempt thrown into the mix. I must warn you there are quite a lot of characters in Devil’s Porridge, and varying subplots. I should also say I write in a multi-viewpoint style in a modern fashion rather than a historic one. So you won’t have to cope with any outdated language. And, for those readers who like to delve into the history behind the book, I’ve included a historical endnote.

Did this book require you making a trip to visit the locations used in your book or were you able to get everything you needed online?

This book needed a lot of research. I stumbled across information about Gretna and the munitions factories when I was researching the origins of women police. Did you know that the Ministry of Munitions (a UK government department) contracted with the Women’s Police Service to supply women police to patrol and work at Britain’s munitions factories? So, my initial research originated in Joan Lock’s excellent history of the origins of women police ‘The British Policewoman’. After reading that I sought out other books, and did a lot of online research, both about women police and munitions factories.

I also visited Gretna and Eastriggs where the main action takes place. Unfortunately I couldn’t access the ground the munitions factory occupied because it is owned by the MOD (Ministry of Defence) and no one is allowed access. Goodness only knows what they do there! However, they have a fabulous museum in Eastriggs, also called Devil’s Porridge, and the secretary allowed me to access the archives.

I also had to do research on the Belgian situation during the First World War, because Kirsty teams up with Beatrice, a Belgian refugee. And because I have Irish revolutionaries working as navvies at Gretna, I had to research the Irish situation and the Easter Rising of 1916. I also delved into how German spies operated at this time, and the handlers of my German spy were real people based in Antwerp. I could go on and on, the research was a massive task.

This book is set, two years (I believe) before The Death Game so Kirsty has yet to arrive in Dundee.  Is she a member of the Women’s Police Service in Devil’s Porridge?

Yes, Kirsty joined the Women’s Police service when it was formed in 1914. Did you know that the women police were initially voluntary organisations formed by suffragette societies when they gave up their militant activities at the start of the war? There were actually two different sets of women police at this time. The Women’s Police Service, and the less militant Women’s Patrols. Kirsty was in the Women’s Police Service which was contracted to police the Gretna munitions factory. The agreement was signed in October 1916, and at its peak there were 167 policewomen serving at Gretna. I have included details of the different organisations in my historical endnote.

The title is unusual. How did you decide on Devil’s Porridge? Is there a meaning behind it?

Arthur Conan Doyle, the creator of Sherlock Holmes, visited the Gretna munitions factory in 1916 and wrote an article based on this visit, which was published in the Annandale Observer. You have to understand that Gretna Munitions Factory was a vast place. Nine miles long and two miles wide, and they built two new towns, Gretna and Eastriggs, to service it. At the Eastriggs end the munitionettes mixed guncotton and nitroglycerine together, with their bare hands, into a paste needed for the manufacture of cordite which was the propellant used in bombs. The paste the munitionettes kneaded in lead drums was likened to a porridge consistency, and it was this that Conan Doyle named Devil’s Porridge. Here is what he said “Those smiling khaki-clad girls who are swirling the stuff round in their hands would be blown to atoms in an instant if certain very small changes occurred. The changes will not occur, and the girls still smile and stir their ‘devil’s porridge’, but it is a narrow margin between life and death.” The name caught my eye and I thought it would make a great book title. As I said before there is also a museum with this title so they must have had the same thought I did. If you are ever in the Gretna area you really must visit this museum, it’s something special. Here is the online link for it http://www.devilsporridge.org.uk/

Do you prefer writing Historical Crime as opposed to your Dundee Crime Series?

I really don’t have a preference. I like writing both contemporary and historical, it’s the crime and the mystery I find intriguing. I’ve read a lot of crime fiction over my lifetime. I like the darkness of Scandinavian crime fiction, and I find the American and Canadian style of writing has more action and suspense than a lot of traditional British crime fiction which seems to be more cerebral. But on the other hand, I like the puzzle element of British books – Agatha Christie was superb at this style of writing. So, I think my crime fiction is a cross between the crime thriller, mixed in with the puzzle element. It seems to work, and readers seem to like it.

What’s next for Kirsty Campbell? Are you working on another novel featuring her?

I’m tossing up at the moment as to whether to write a Kirsty Campbell book next, or a DI Bill Murphy one. I have readers clamouring for both. But, be assured, both Kirsty and DI Bill Murphy will be back.

If you, or any of your readers are tempted by Devil’s Porridge, there is a description of the book on my website, plus a link to read the first chapter.

Thank you for having me, Melanie. It’s nice to visit Canada again, even though a virtual visit doesn’t let me explore your lovely town. I have fond memories of my last visit when I did the Thousand Islands boat tour, as well as the creepy witch walk in the evening.

Check out Devil’s Porridge on Chris Longmuir’s website

And while you’re at it have a look at Chris Longmuir’s blog

 

N is for Night Watcher #AtoZChallenge

Night Watcher

N is for Night Watcher by Chris Longmuir

 

night watcher

Blurb: (from Goodreads) A mysterious stranger arrives in Dundee, Scotland, with a mission to find a new Chosen One to punish. His inner voices guide him to Nicole, a ruthless business woman with a weakness for the husbands of other women.
One of Nicole’s paramours is found hanged and everyone assumes he has committed suicide. However, his estranged wife, Julie, knows better and blames his death on Nicole. Obsessed with the need to punish Nicole, Julie stalks her, unaware that there is another stalker, the deranged and dangerous Night Watcher.

Who will exact punishment on Nicole first?
What price will Nicole have to pay for her misdemeanors?
Will Julie’s mind games drive Nicole over the edge?
And what price will Julie have to pay for her obsession?

Only the Night Watcher knows!

 

 

D is for Dead Wood #AtoZChallenge

Dead Wood

D is for Dead Wood by Chris Longmuir

Dead Wood

Blurb: (from Goodreads) Award winning crime novel set in Dundee, Scotland, A mystery and detective story which is a combination of police procedural, and woman in jeopardy. Book 2 of The Dundee Crime Series, with the popular DS Bill Murphy.

Kara owes money to Dundee gangster Tony and takes to the streets to earn the cash. She narrowly escapes the clutches of a killer on the prowl, but stumbles across the bodies of his other victims. Hunted by the serial killer and the gangsters, Kara goes on the run.

DS Bill Murphy teams up with newcomer, DC Louise Walker in the murder investigation. But Murphy is heading for a breakdown and it is up to Louise to catch the killer.

One of the murder victims is the daughter of Dundee gangster, Tony, and he vows revenge. He is determined to mete out his own kind of justice to the killer.

Who will find the killer first? Tony or the police. And what will happen to Kara? In the end what kind of justice will prevail?

Buy Links

amazon.com

amazon.co.uk

Dundee International Book Prize winner 2009

Chris Longmuir is an award winning novelist. Her previous crime novels have won the Pitlochry Award, and the Dundee International Book Prize.

 

Author Interview with Chris Longmuir, Scottish Crime Writer

It’s my pleasure to welcome Scottish Crime Writer, and my friend, Chris Longmuir to Celtic Connexions. I can’t wait to find up what you’re working on now. So, shall we get started?

DeathGame-AMAZON

You’re working on another historic crime novel in the Kirsty Campbell series. What is the title? Can you tell us what this book is about?

I’m keeping the title under wraps at the moment, it’s quite distinctive, and I hope unusual, so I’d hate to see it on another book!

The novel is a murder mystery, of course, with a spying sub plot. It’s historical, set during the First World War, so I have a cast of characters that includes women police, a Belgian refugee, munitionettes, Irish revolutionaries, MI5 agents, I even give a walk-on part to the Prime Minister of the time, Lloyd George.

It starts off with the Silvertown explosion in January 1917. This is based on an actual event, the explosion of the munitions factory in Silvertown. It was catastrophic and destroyed most of the area (70,000 properties were destroyed or damaged), with the effects felt miles away, there was even damage across the river on the Greenwich peninsula where a gasometer was blown up creating a massive fireball. This is the area where the Millennium dome is situated. The Silvertown explosion was an accident, although in my book it is something much more suspect, and sets the scene for a spy chase which leads us to Gretna Munitions Factory on the border of Scotland and England.

The Death Game was set in 1919 after the Great War. This book is set in 1917 during the action. Would you consider it to be the prequel to The Death Game?

That was certainly my intention when I started this book because it was intended to be a Kirsty Campbell novel. However, my characters often have different ideas to the ones I plan for them, and at the moment, my Belgian refugee, Beatrice Jacobs, is jostling for the top spot. She is a very interesting character, and I think I may give double billing to Beatrice and Kirsty. I will just have to see where they lead me.

What motivated you to depart from your contemporary Dundee Crime Series to historical crime?

I actually wrote The Death Game before I started the Dundee Crime Series, but I had an unfortunate experience with a publisher who contracted it. The publisher made so many demands for changes that the book became almost unrecognisable as the one I’d written. And, of course, as a new writer at the time I was anxious to please and thought they knew what they were talking about. So, I made the changes they requested, and in the process destroyed the book! When I came to my senses I did my best to get out of the contract, which fortunately had an expiry date, and put the book in the bottom drawer where it languished while I wrote the Dundee Crime Series. That series has proved to be very popular with readers, but I always had a niggle at the back of my mind about the Death Game which I had so successfully destroyed.

I decided to resurrect The Death Game, but because it was in no fit state to be read by anyone following the editing changes I decided to rewrite it from the beginning rather than mess about with it again. The book is now how I wanted it to be, but the style is different to that of the Dundee Crime Series, which is multi-viewpoint. The Death Game is much more focused on Kirsty, but my new Kirsty book, the one I talked about earlier, is more like the Dundee Crime Series in style, because it is also multi-viewpoint. But that is simply the result of my writing style having changed as I became a more experienced writer.

Will there be more books in your Dundee Crime Series starring DS Bill Murphy?

Yes, there will be more of the Dundee Crime Series, DS Bill Murphy would start to feel neglected if I didn’t pay him some attention. However, the conundrum will be, how I divide my time between DS Bill Murphy, and Kirsty Campbell.

You published a non-fiction book last year based on the blog posts you wrote as part of the Edinburgh e-book Festival. Can you tell us about it?

CrimeFictionIndie-AMAZON

I did indeed. It’s called Crime Fiction and the Indie Contribution. It’s a study of independent publishing, and the focus is on ebooks and the independent authors known as Indies, who write them. I examine all aspects of publishing and make comparisons between the traditional and the independent models, pointing out the pros and cons of each. In conjunction with this I look at crime fiction, how it has developed over the years, and all the different subgenres. One thing I found out while doing this, is that what we in Britain refer to as crime novels, are more commonly seen as thrillers in the US and Canada.

I include discussions of 71 books written by indie authors or published by indie publishers in order to assess whether they meet the standards we expect from traditionally published books, and I read every single one of those books. These books were by authors unknown to me, and the book includes authors who probably have no idea I’ve included their books.

Writing this book was completely accidental. I did a series of posts for the Edinburgh Ebook Festival in 2013 – I was the Writer in Residence for the festival that year – and a lot of people followed the posts. However, after the festival finished, the posts were no longer available online, and readers were looking for them. It was a fellow writer who suggested I take the posts and make them into a book. Great idea, I thought, the posts were already written, so it shouldn’t take long! Well, you’ve heard the saying “Famous last words”, that could quite easily have been attached to those thoughts of mine. For a start, the posts were far too bloggy for a nonfiction book, so they had to be rewritten. Still, the information was there, so that wasn’t too onerous. But the main problem was that there just weren’t enough words for a whole book. So that meant a lot more research, extra sections added, and a lot more reading of indie novels. Anyway, I won’t go into details, but the end result was excellent, and I was pleased with it. The people who have read it have been very complimentary, even going as far as to saying it should be compulsory reading for anyone who writes, or wants to be a writer.

I know it’s still early days, but have you noticed a significant change in your sales since the changes to the EU VAT rules?

I’ve done a couple of blogs about these rules. I did one aimed at readers for my own blog, here is the link to Paying More for your Digital Downloads? Here’s Why.  (Editor’s. note: I re-blogged this last Saturday.) The other one I did was for writers and it’s posted on the Authors Electric Blog site, and here’s the link to ‘EU VAT Changes Are Doing my Head In’.

These new rules have created havoc within the writing community, particularly for those authors who want to sell directly to readers through their websites. But apart from that, it’s pushed the prices of ebooks up in the UK and the EU countries. Where before, there was 3% VAT on ebooks (no VAT on printed books, they’re exempt), there is now 20% VAT on ebooks in the UK. That has had the result of pushing prices up for readers, and I think that is totally unfair considering the exempt status of print books.

I did worry that readers would think that we, the authors, were putting our prices up, when in fact it had nothing to do with us. However, because ebooks are relatively cheap in comparison to print books, the price rise is not extortionate. I think it’s added about 60 pence onto the price of each of my books. I know that some authors are saying their sales have gone down since the introduction of this tax, but I must say it doesn’t seem to have had any effect on my sales. I think that if a reader likes the way you write, and likes your books, they will still buy them. I know that if I want a particular author’s books, it wouldn’t make any difference to me.

However, I’m really sorry that readers are having to pay more, and I can only hope it doesn’t stop them buying books from their favourite authors, or those authors who have been recommended to them by other readers.

* * *

Thank you for inviting me onto your blog, Melanie. I’ve enjoyed the interview, and if any of your readers want to ask me anything, feel free. Your readers can also contact me through the contact page in my web site, and if they do, I promise to reply in an email.

Thanks so much for stopping by today, Chris. I’ve enjoyed our visit as I’m sure everyone who stops by Celtic Connexions has, too.

***

You can follow Chris and find her books at the following links:

Dundee Crime Series New

Website:     http://www.chrislongmuir.co.uk/

Blog:       http://chrislongmuir.blogspot.co.uk/

Amazon UK:   http://ow.ly/GeM1w

Amazon US:   http://ow.ly/GeM9R

Apple iBooks UK:   http://ow.ly/GeKOr

Apple iBooks US:     http://ow.ly/GeKUi

Kobo:     http://ow.ly/GJGy5

B&N Nook:     http://ow.ly/GeL0D

Nook UK:         http://ow.ly/GJGRt

 

Paying more for your digital downloads? Here’s why!

Re-blogged from Chris Longmuir, Crime Writer (with permission):

Paying more for your digital downloads? Here’s why!

If you live in the UK or any of the EU countries and are in the habit of buying digitally provided services, then this post is for you. It doesn’t matter what you buy, whether it’s music, ebooks, software, apps, films, games, screensavers, even crochet or knitting patterns, I could go on for ever, then you have been paying more for them from the beginning of this year. In fact, anything you download from the internet to your computer, mobile phone, android tablet or iPad etc, is now costing you more!

The reason for this is quite simple. It’s the new EU VAT rules on the supply of electronic services to the consumer, that’s you.

 You can read the entire post on Chris’s blog:  Chris Longmuir, Crime Writer.