Death in a Shetland Family by Marsali Taylor #DEATHINASHETLANDFAMILY

Today on Celtic Connexions, I’m welcoming back Marsali Taylor and her latest novel, Death in a Shetland Family.

Death

Blurb

Shetland sailing sleuth Cass Lynch is definitely out of her comfort zone when she helps round up a prize-winning stallion escaped from the renowned Klaufister stud. She’s even less impressed by its owner, Keith Arthurson, a returned city slicker who’s already made enemies in his community.

Death

Buy Links

PAPERBACK – https://www.amazon.co.uk/Death-Shetland-Family-Marsali-Taylor/dp/1035436272

KINDLE – https://www.amazon.co.uk/Death-Shetland-Family-Marsali-Taylor-ebook/dp/B0G3GZ59XW

 Excerpt

Excerpt: from Chapter 4

 In the end, it wasn’t too bad. We had four metres depth of channel and another metre of flooding tide, so we bisected the smooth water between the Green Point of Vementry and the Green Holm, passed the end of the three lines of mussel buoys, with the inevitable scarfs sitting on the top of them, and came in good order into the enclosed waters of Clousta Voe

The houses were all round the South Voe. There was a cluster here, then the ruins of several stone-built houses along the headland, then another new house opposite, one of the big double ones, with picture windows looking out on a spectacular view seawards over the channel. A flock of coloured sheep watched with interest as we came past them. 

Now we were chugging between cliffs towards Cloustaproper. The channel ended in a pool of water between grazed green hills with jagged lines of rock poking like bones through the cropped turf. A curve of houses ran along the shore and in a line up on the north hill, and every one of them had windows facing seawards. Suddenly I felt most horribly exposed. It was like we were about to park in somebody’s back garden. Every spyglass in the place would be on us as we ate our lunch. There were probably photos on Facebook already, asking who we were. 

Unhelpfully, my larger-scale chart stopped at the north voe, but the smaller scale one showed a couple of isolated rocks on the outside of the little island. I looked at the depth gauge. We had four metres of water still, and there was a long bay to starboard, with only a couple of houses on it, and a rectangular floating pontoon stretching out from them. From my memory of the map, that had to be Klaufister. Twenty metres in there would take us behind the headland, where we could struggle with the geneker without having every retired seaman in the place saying how much better he’d have done it. After that, we’d eat lunch in this peaceful green corrie, then I was getting us out of here, back into safe waters. 

We crept in cautiously, and dropped the lightweight kedge anchor on a short chain. I took a couple of meids, to make sure we weren’t drifting, then went below to dump my jacket and set the kettle on to boil. It was bonny, looking out through the windows at the shore: the sweep of green hill down to where it ended abruptly in the metre-high banks of the shore. There were geese on the hill, a great flock of them, maybe a hundred or more, and a clump of them on the water: one of the problems of warming temperatures. They no longer flew south, but overwintered here, and destroyed the grazing they colonised. There was an oilskin jacket and trousers hung on a scarecrow frame, but they were paying no attention to it. 

young woman came into view, walking from the house, rope branks in one hand, a bucket swinging from the other. She called upwards, and a herd of horses came thundering over the hill, short legs going like pistons, manes flying. The geese scattered with alarmed honking and a rattle of wings. There was a black one leading the charge: Ebony. The woman put the bridle on him, then tipped a bucketful of tattie peelings in a line along the grass, and presided as they shoved each other to get at them. 

The two houses of the map were diagonally in front of us. I peered ahead as I waited for the kettle to boil. Klaufister had been a bigger place once, and better cared for – though, I reminded myself, they’d had a tragedy here, and now they had one man gone, another not coping, and the wife injured and not yet able to look to things. There was a litter of blue plastic drums in a hollow on the shore, and bigger containers further up, orange and grey, in front of the ruins of an older, larger house, the length of two houses, with a substantial gable and most of the front still standing. A pile of rubble suggested someone was working on it, and the front was fenced, as if it was used to holdsheep and early lambs during the coldest weather. The nearest of the livedin houses was a small cottage above the pontoon, a simple but-and-ben, in reasonable repair, but with flaking whitewash and a moss-spotted felt roof. I saw someone shift behind the glass, then move to stand by the window, looking out at us: a man. The son who drank? It didn’t look like a house with small children; there were no toddler toys around it, and no washing line of miniature onesies wafting in the light breeze – then I remembered Dad had said his wife had left him

The second house, past the pontoon, was a newer build, and in better repair. It was square, with two windows in each side of it, a pitched roof running up to a short ridge from each wall, a felt roof, recently tarred. A trickle of smoke came from one chimney, and there was a peat stack by the door. Hens pecked around the short track leading down to the shore.  

The kettle began to whistle. I brought the tea up, and went forward to see what had gone wrong with the geneker. We’d want it for going home again, so I was loathe to put it away altogether, but I could drop it, sort out whatever had snagged it, and secure it on the deck with bungees, ready to hoist again.  

uncleated the rope and began to drop the sail. I mustn’t have had a good enough grip on the rope, for it began to slither quicker than I meant, and before I knew it the heavy bronze furler at its head was hurtling downwards towards me. I ducked away from it, too late, and felt a hard blow on my head, then the guard rail caught the back of my legs and put me off balance, and then for what seemed like a long moment I was falling backwards, hands stretched back towards the boat, legs flailing in the air. I hit the water back on with a splash that echoed round the whole voe. I went under, scrabbled my way back up and trod water, gasping for breath. The cold hit me as the water seeped through my gansey. Above me, Anders was trying not to laugh as he threw down the end of one jib-sheet for me to catch. ‘What happened there?’ 

My head was spinning and for a moment I saw two ropes. I fumbled for the nearest one and let it take my weight. My best sailing boots were pulling me downwards, but I wasn’t going to kick them off unless I had to. ‘There’s a rope ladder in the aft locker, with a loop to go round the jib cleat.’  

Anders moved quickly to hang it over the side while sploshed over, the weight of the water making my movements uncoordinated. There were a couple of rungs below the water, and with the help of the jib-sheet wound round my hand, I managed to get one foot on the bottom one and shove myself unsteadily upwards until Anders grabbed under my oxters and hauled me over the guard rail. I sat down on the cockpit bench, dripping, and bent forwards to haul my boots off and tip the water out.  

‘You’re bleeding,’ Anders said. 

I put my hand up to my head. It came away red. 

‘I’ll get a cloth,’ Anders said, and clattered below. 

‘Hey!’ the woman onshore called, her voice carrying clearly over the water. ‘Are you okay?’ 

I turned around to look. She was only fifty metres away now, at the edge of the land, Ebony’s rope grasped with one hand, and older than I’d thought, twenty-six or seven, with short dark hair and dark eyes in a thin, tanned face. The movement brought a fresh gush of blood. I clapped my hand to it, and grasped the kitchen cloth Anders held out from the doorway. I pressed where it hurt and felt the blood trickling into it and dripping from my fingers. A red pool was forming on the light blue paint of my cockpit floor.   

The woman gestured towards the jetty. ‘My mother’s a nurse. You could come and let her look at it.’ 

‘Heads always bleed,’ I called back. All the same, professional help was tempting. I could sit still in this wavering world and let her deal with it. ‘How deep is the water at your pontoon?’ 

‘Two metres.’ 

‘Two metres?’ Anders was looking ahead at the pontoon. It was a rectangle of walkway on orange floats, similar to the marina pontoons, and it would certainly hold Khalida in this wind, so long as it really had two metres of water, with another metre to flow in over the next three hours.Then he looked at my scarlet hand clutching the cloth to my brow, and went back for a basin of cold water, and another cloth. 

I wrung the cloth out and pressed it to my head again.  

‘If we can lie up at the pontoon there,’ he said, ‘it’d give us thinking space. I’ll start the engine and get the anchor up. You steer us in, I’ll leap about.’ 

I nodded, and wished I hadn’t. Sparks flashed in front of my eyes. 

‘We’ll come in,’ Anders called to the woman. I sat quietly as Anders moved around me, giving me the occasional concerned glance. Within a minute he had the geneker bundled up and attached, the kedge on the foredeck beside it, and the engine running. I put her into gear and edged forward to the shifting pontoon, one eye on the depth. Four metres, three point eight, three point five, three, and we were there. I put the engine into reverse, then neutral, Khalida stopped obediently alongside, the woman caught her guard rail, and Anders leapt ashore, rope in hand, and tied her up. 

I cut the engine and stood up, still clutching the cloth to my forehead. The woman put out a hand to help me onto the pontoon. ‘I’m Irene. Come you wi’ me. Mam’s joost in the house. We’re about to hae denner, if you fancy some soup.’ 

‘I wouldn’t say no,’ I said. I hadn’t felt cold while I was worrying about blood, but now my teeth were starting to chatter, and the land was swaying around me. 

I felt the atmosphere of the house as soon as Irene led me in: a hard feeling of bitter unhappiness. The man had died in a car crash, the wife had been badly hurt, and the son who drank had been made worse. This Irene who was supporting me with such ready kindness must be one of the daughters. ‘Mam!’ she called, as we came through the door, ‘I’ve a patient for you.’ 

She helped me into a warm kitchen, a country kitchen with a Rayburn at the gable end, and a workmanlike wooden table below the window looking out on the voeThere was an armchair on the other side where her mother sat: a woman in her fifties, with a face lined with pain. I saw no resemblance to either of her children; her greying hair was neither Irene’s dark, nor Keith’s fair, but a mousy brown, and she had a low brow, a sharp chin and pale green-blue eyes. She wore a cherry-red yoke jumper which matched the patterned walking stick beside her, but whose bright colour drained her face. It was from her that the bitterness came; her face was sharp with it, her mouth set in angry lines, and it echoed in her voice as she greeted me. ‘Not only injured but wet through. Have you dry clothes aboard?’ Her hooded eyes had dark shadows under them, as if she didn’t sleep much.

I tried to think. Now I no longer lived aboard, I had a box with extra jerseys and gloves, but no spare jeans or thermals; I only took those aboard for longer trips, and right now most of my wardrobe was hanging out in the garden, drying. ‘Jerseys,’ I managed. 

‘Well, let’s sort that first,’ the mother said. Her voice was low and soft, but with a sharp edge that made it a command. She nodded at Anders. ‘You’ll maybe go and get her two jerseys.’ 

‘Box by the engine,’I said. ‘Tupperware.’  He nodded and left. 

‘Irene,’ the mother said, ‘go you into my bedroom and get out a towel, and my clean dressing gown from the press. Then you can help the lass get the wet stuff off, and while I’m looking to her head, you can find her dry clothes, and put her own in the washing machine.’ There was something mechanical about the way she spoke, as if she was determined to do her duty by this bleeding stranger thrust upon her. I felt mortified, but leaving now would only make it worse. I’d have to accept her kindness with grace, and pretend I didn’t see how reluctant it was.

‘I’m wearing thermals,’ I said. ‘They’ll dry quickly.’ 

Irene went out and upstairs, her footsteps clattering above us. 

‘I’m Patsy,’ her mother said. ‘Patsy Arthurson. And you must be the lass that sails. My other son, Ertie, he works to your dad, driving plant.’ Her face twisted to anger. ‘Worked.’

‘Cass,’ I said. My hand was too bloodstained to hold out. ‘Cass Lynch.’ 

Irene hurried back down the stairs with a folded towel and a blue towelling dressing-gown. ‘This is my daughter, Irene,’ Patsy said. ‘Irene, this is Cass. Pass me that, and give her anhand wi’ those wet clothes, then get a bowl of water for her to wash.’ 

With Irene’s help, I managed to get most of my wet clothes off without making too much mess on the lino. The towel Irene held out was blissfully warm, and the dressing-gown covered me nicely. I tried to give Irene a hand picking up my clothes, but the room began to spin around, and I sat down abruptly. ‘Sorry,’ I said. 

‘You just sit,’ Patsy said. ‘Irene can manage.’ 

It seemed that Irene was expected to manage everything. I sat in silence as she took my bundle of clothes into a side room. There was the click of a tumbler, a few bleeps, then running water as the machine cycle started. Irene came back in and stood quietly with her hands in front of her, looking at her mother for more instructions. For a moment I wondered if she had some kind of special needs, except that she’d been quick and clear when I’d had the accident. Maybe she’d had to bridle her tongue at first in patience as she ran after her injured mother, and had now got so used to her mother bossing her about from her chair that she no longer realised how extraordinary it was. 

‘Now,’ Patsy said, ‘we’ll need a clean bowl o’ hot water, and cotton wool and the plasters box.’ Irene nodded, and went into a walk-in cupboard in the corner. ‘Sit you here,’ she added, and reached out a hand to drag a kitchen chair over to her. ‘In the light.’ She bent forward to inspect, still sitting in her chair. I closed my eyes. Her hands were assured, as she moved mine away, washed the wound and inspected it. ‘You’re given yourself a fair dunt. I doubt it needs stitching. Irene, gie the surgery a phone and explain. You can easy run her along to Bixter to get it looked at.’ 

‘We need to be out of here well before high water,’ I said. ‘Cribba Sound.’ I wasn’t negotiating the Icelanders and the Black Stane with this spinning head. 

‘Yea, yea, plenty o time for that.’ 

She mopped away, then I heard the crackle of a plaster being unwrapped, and felt it being pressed to my brow. ‘There, that’ll do you for ee now. Steri-strip. Great stuff.’ 

I opened my eyes again. ‘Thanks. Thank you very much.’ 

She gestured towards the path. ‘And here’s your man back with your spare ganseys. Irene, keep him at the door while the lass gets dressed.’ 

‘Forty-five minutes,’ Irene said. ‘The doctor can see you at quarter to two.’ She went out to man the door, and I got into the clothes she’d brought. The t-shirt was Patsy’s, and hung off me; the pants and jeans were Irene’s, and I just managed to squeeze into them. ‘Three-quarters o’ an hour. Then there’s time for a bowl o’ soup,’ Patsy said. ‘Irene, let the young man in, then gieErtie a call for his lunch, and tell him we have visitors.’ She rose, levering herself up from her chair, and grasped her stick. ‘I was in an accident. You maybe kent.’ 

I nodded. ‘I heard.’ I wasn’t sure what to say, and resorted to formality. ‘I’m sorry for your loss.’ 

A wave of the former  bitterness came back for a moment. ‘I told him he was no’ able to drive south, after all these years, but he widna listen.’ She stood for a moment, brooding, mouth hard, then took a step towards the Rayburn and lifted the lid of the pan. A most beautiful smell of tattie soup washed out in a cloud of steam

‘I’m mending,’ she said. She nodded towards a pair of crutches in the corner past her chair. ‘I still need those occasionally. I’m mending slower than if I was your age, but I have the help o’ me bairns.’ A spasm crossed her face for a moment, as if she’d moved wrongly, and hurt something. ‘I’m out o’ the wheelchair, and mostly off the crutches.’ She changed the subject. ‘You’re Cass from the Ladie.’ She looked at Anders. ‘But you’re no’ the policeman that wears a kilt  even for going out in the boat.’ 

‘Anders Johansen.’ He leant forward to shake her hand. ‘I was Cass’s engineer on the longship for the film, three years back.’ 

‘Aye, aye, we heard all about that. And I’m Patsy. Now, sit you both down at the table, and have some soup to warm you.’ She gave her daughter a sudden malicious look from her green-brown eyes. ‘Then you’ll run Cass to the surgery, and I’ll enjoy having a smart young Viking all to meself.’ 

It was a mild joke, but it threw Irene completely. She went white, then flushed red, her patient composure broken, and turned away from us. I could see her back move with her quickened breathing. When she turned back she hadn’t quite mastered herself; there was still a red spot high on each cheekbone as she went over to the worktop and began buttering rolls. There was a long silence. I glanced at Patsy and thought there was malice in her eyes as she said in a completely ordinary voice, ‘There’s ham we can have with the rolls. Don’t forget the mustard.’ 

About the Author

Death

Marsali Taylor grew up near Edinburgh, and came to Shetland as a newly-qualified teacher. She is currently a part-time teacher on Shetland’s scenic west side, living with her husband and two Shetland ponies. Marsali is a qualified STGA tourist-guide who is fascinated by history, and has published plays in Shetland’s distinctive dialect, as well as a history of women’s suffrage in Shetland. She’s also a keen sailor who enjoys exploring in her own 8m yacht, and an active member of her local drama group.

Author Facebook Page –https://www.facebook.com/MarsaliTaylorAuthor/

Amazon Author Page – https://www.amazon.co.uk/Marsali-Taylor/e/B0034PACI8/

Website – https://www.marsalitaylor.co.uk

Through Dancing Poppies by Caron Allan #THROUGHDANCINGPOPPIES

Today at Celtic Connexions, I’m sharing an excerpt from Caron Allan’s latest novel, Through Dancing Poppies, a cozy mystery set in the 1960s.

Poppies, Poppy

Blurb

Through Dancing Poppies: Miss Gascoigne mysteries book 3: an intriguing cosy mystery set in the swinging 1960s

Poppy Bell is a teenage singing sensation about to ‘hit the big time’ and newly engaged to a man old enough to be her father. Everyone says she’s a gold digger. But then…

Dee Gascoigne, now a fully-fledged—or nearly fully-fledged—private investigator working for the law firm of Montague Montague, meets Poppy a couple of times and can’t help but notice she is a very talented musician who is young, naive and on the brink of something incredible. But she is also surrounded by people who know exactly what they are doing, they’ve done this kind of thing before, are used to the spotlight and the glare of media sensationalism, and know how to present the perfect image to grow a very public career. Then there’s a near miss in a car park, and suddenly Dee has an intense feeling of danger lurking in the shadows. But who is the target? Poppy or her new fiancé, wealthy entrepreneur Teddy Reynolds?

Poppies, Poppy

Buy Link

KINDLE EDITION https://www.amazon.co.uk/Through-Dancing-Poppies-Gascoigne-intriguing-ebook/dp/B0G3JPXG4Y

Excerpt

Prologue
June 1965
The spotlight picked out a plain wooden chair, and beside it, a microphone on its stand. Beyond that soft pool of illumination, the stage was in darkness. There came the sound of eager footsteps, then a young woman, barely more than a girl, stepped
into the halo of light and sat down, settling herself on the chair with a guitar on her knee.

The guitar seemed far too big for her, but she hugged her thin arms about it, leaning her cheek forward to rest on the curve of the honey-coloured wood. As she did so, her hair fell forward, a smooth shining wall between her and the camera.

From this angle all that could be seen was the hair, softly golden, her right cheek, and a half-closed eye fringed by thick fair lashes.
‘And what’s your name, sweetheart?’ The man in the front row called to her.

‘Poppy.’

He put a tick next to her name on his list. ‘Right then, sweetheart, when you’re ready…’

She began to strum the guitar, and after a few bars, still in that pensive, almost meditative pose, she began to sing.

It was an old song, old before her grandmother was born, let alone her mother. A song of wistful remembrance of a brief love now lost. A song to give the listener goosebumps.

For two and a half minutes the girl sang her song. Only her hands and her mouth moved, the rest of her might have been carved from marble. There was not a sound in the studio. The camera remained fixed on her, neither panning out for a wide shot, nor closing in to intrude upon her face. At the end of the two and a half minutes, she
stopped the song on a softly held note, her fingers stilling at the strings of her guitar.

Silence surrounded her.

When the man’s voice spoke again, she lifted her head.

‘Well, Poppy my dear, that was very nice. Very nice indeed. Perhaps you’ll go back outside and wait to have a chat with us in a few minutes?’

She nodded, picked up her guitar, and returned to the corridor.

‘Well?’ The man turned to someone near him, someone who had been silent so far. ‘What do you think?’

‘Just what we are looking for, I should say.’ The second man paused then added, ‘Of course those awful trousers will have to go. And is that a man’s sweater she’s got on?’

‘Looked like it. I’m thinking one of those little white frocks. Keep the makeup and hair simple, we go for the ingenue look. The audiences lap that up. She looks very young, though. She is eighteen, I take it?’

‘Not quite. Not for another eight months, from what it says here.’
‘Hmm. Well, if you don’t say anything, I won’t. We might even save ourselves some money. Right, are there any more?’

‘No, she was the last.’

‘And the best, I reckon. This is the break I’ve been waiting for. We could hit the jackpot with this one.’

‘I’d say so.’

‘Just follow my lead, won’t you? Go along with anything I say.’

‘Don’t I always? Hey, Dave, turn that camera off now. We’ve finished.’

‘Yes, Mr Reynolds,’ called Dave, and he turned off the camera, then the microphones.

About the Author

Poppies, Poppy

Caron lives in Derbyshire, England, where Jane Austen’s Mr Darcy came from. She hasn’t met him yet, but nevertheless clings to the dream. She writes mysteries and crime but sometimes adds in a little dash of romance or fantasy.

Like many writers, Caron always wanted to write stories. She can remember announcing this to her mother when she was eight years old. Caron says, ‘I seem to remember she wasn’t overly impressed.’

Caron started reading adventure stories and mysteries for children when she was around 7 or 8 and graduated to Agatha Christie and Patricia Wentworth (her faves) when around 9 or 10. She has never looked back.

Caron has tried writing literary fiction – she was terrible at it. She has tried writing romance but got bored and killed everyone off. So now she sticks to what she loves – murder mysteries. The Dottie Manderson mysteries are set in the 1930s and feature a terminally-nosy well-to-do young woman, the Miss Gascoigne mysteries are set in the 1960s and a spin-off from the Dottie books, and the Friendship Can Be Murder series are set ‘now’ and written as diary entries by a posh woman, Cressida Barker-Powell, who plans to make the world a better place by getting rid of bad people, starting with her mother-in-law.

https://caronallanfiction.com

https://www.amazon.co.uk/stores/Caron-Allan/author/B00BN97SMK

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